Tried reusing one of my old canvas boards, by painting on a couple of layers of gesso, it covered the original ok and seemed to give a ok surface, but painting on it was like painting on gritty sandpaper, so not the way to go for future recycling.
Thanks to Iain McKell for his reference picture of modern Gypsies.
Back in 2009 I started to follow Benoit Paille on flickr I was inspired by his portrait photography , although it seems miles away from his current work the pictures stuck in my head.
I have used his photograph “girl in a subway” for referance in my latest attempted at a painting, this is water based oils on canvas board and I have included some of my process pictures, to see how my process changes as I progress with my painting.
Spent a wonderful day painting with Chris Guest in London. A first for me painting all day from a model, picked up a new approach to painting , a few tips on materials and how to mix candy floss pink. All in all a good day.
Thanks to Chris for his instruction, I have gesso and board ready to have another go. Just need to find me a model with candy floss pink hair.
The standard of work in this exhibition is tremendous; I always come away appreciating the skill and talent of the artists. I have taken a few pictures of my favourites to add here.
It is a competitions so you have to select your own favourite, mine was (Rhyming slang for worth nix) by artist Janne kearney
I have been trying my hand at painting for about 3 years now, so I thought it might be interesting to go back to the beginning and attempt another version of an earlier painting.
I have always liked this portrait by photographer Ronald Vogal who kindly gave me permission to use his photograph as reference.
I have use oil paints on canvas as apposed to Acrylics on paper but still I am pleased with the marked improvement in my technique.
I am certainly looking forward to trying this benchmark again in another 3 years.
I try to think of a different approach to my paintings and this idea came when I was photographing my pictures, I noticed the great distortion you get from selecting a strange view point. The idea was to start with the distortion and perhaps return to reality when viewing the picture.
It didn’t really work, l need to think this one out again.
like all my paintings it went through a few different looks, I am pleased with the final slightly graphic feel.
A invite to exhibit really cannot be passed over, all I had to do was make a postcard size portrait. Everyone who makes a submission is exhibited in the exhibition at southamptons Solent gallery, exhibition opens on the 2nd of March.
Always trying things never feeling like I make a finished image, something I am going to have to get my head around, perhaps it’s the doing I enjoy and I should not really worry about making a final image.
That’s enough pondering, I have been doing some charcoal and paint stuff it’s interesting the charcoal works into the paint and you get some interest marks and effects, it all feels very free.
Thanks to Lee Jeffries a very talented photographer for his reference pictures .
Finished for now…
This has been interesting to paint working from acrylics to oils worked really well, thanks to cuckoo on Instagram for his advice.
The white stripe in the background started out as a good idea but just took over the picture, I ended up toning it down, a lot better I think.
Started my painting of John Lydon never really thought it wouldn’t end up being a painting. taking a couple of new approaches to this, first I am going to spoil the canvas before I start, the idea behind this is it takes the pressure of starting with a pristine canvas and allows you to relax before you start.
Second I am going to do the underpainting in acrylics and then move to oils, this has speeded up my process and is keeping things very fresh. Not sure how long to wait before starting with the oils have to look that one up.